Yeah! Two weeks of no school!Time to update my blogs.
Be sure to visit me.
See yah guys
Tuesday, October 14, 2008
Sunday, October 5, 2008
Beauty
Beauty is a characteristic of a person, place, object or idea that provides a perceptual experience of pleasure, meaning or satisfaction. Beauty is studied as part of aesthetics, sociology, social psychology and culture. As a cultural creation, beauty has been extremely commercialized. An "ideal beauty" is a person who is admired, or possesses features widely attributed to beauty in a particular culture. A number of historical individuals have become icons of beauty, including Cleopatra VII, Helen of Troy, and Marilyn Monroe.
The subjective experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. "Beauty is in the eye of the beholder" is a common phrase that expresses this concept.[1] In its most profound sense, beauty may engender a salient experience of positive reflection about the meaning of one's own existence. An "object of beauty" is anything that revea
The subjective experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. "Beauty is in the eye of the beholder" is a common phrase that expresses this concept.[1] In its most profound sense, beauty may engender a salient experience of positive reflection about the meaning of one's own existence. An "object of beauty" is anything that revea
Friday, October 3, 2008
What is Painting?
Painting (pān'tīng) in art, is the practice of applying color to a surface (support base) such as, e.g. paper, canvas, wood, glass, lacquer or concrete. When used in artistic terms, "painting" means also the use of this arts activity in combination with drawing, composition and other aesthetic means in order to manifest the expressive and conceptual intention of the practitioner.
Painting is a mode of capturing, documenting and expressing the varied creative intents, as numerous as there are practitioners of the craft. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature. A large portion of the history of painting is dominated by spiritual motifs and ideas; sites of this kind of painting range from artwork depicting mythological figures on pottery to biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel to depictions of the human body itself as a spiritual subject.
Painting is a mode of capturing, documenting and expressing the varied creative intents, as numerous as there are practitioners of the craft. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature. A large portion of the history of painting is dominated by spiritual motifs and ideas; sites of this kind of painting range from artwork depicting mythological figures on pottery to biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel to depictions of the human body itself as a spiritual subject.
Thursday, October 2, 2008
Doomsday
I call this work "Doomsday" cause as you can see in the image, the city is being devoured by the flame like clouds. People nowadays really don't care if they can still go on with their lives. Gangs, Drugs, Robbery and more are increasing due to the fact that they only care about them selves. What would happen if the world would be like in my design?For a change people should start caring about others and not just themselves.
Tuesday, September 30, 2008
Design
Design, usually considered in the context of applied arts, engineering, architecture, and other creative endeavors, is used both as a noun and a verb. As a verb, "to design" refers to the process of originating and developing a plan for a product, structure, system, or component. As a noun, "a design" is used for either the final (solution) plan (e.g. proposal, drawing, model, description) or the result of implementing that plan (e.g. object produced, result of the process). More recently, processes (in general) have also been treated as products of design, giving new meaning to the term "process design".
Designing normally requires a designer to consider the aesthetic, functional, and many other aspects of an object or a process, which usually requires considerable research, thought, modeling, interactive adjustment, and re-design.
PHILOSOPHIES AND STUDIES OF DESIGN
There is no universal language or unifying institution for designers of all disciplines. Raised levels of achievement often lead to raised expectations. In structuration theory, design is both medium and outcome generating a Janus like face, with every ending marking a new beginning.
There are countless philosophies for guiding design as the design values and its accompanying aspects within modern design vary, both between different schools of thought and among practicing designers.[1] Design philosophies are usually for determining design goals. A design goal may range from solving the least significant individual problem of the smallest element to the most holistic influential utopian goals. Design goals are usually for guiding design. However, conflicts over immediate and minor goals may lead to questioning the purpose of design, perhaps to set better long term or ultimate goals.
Designing normally requires a designer to consider the aesthetic, functional, and many other aspects of an object or a process, which usually requires considerable research, thought, modeling, interactive adjustment, and re-design.
PHILOSOPHIES AND STUDIES OF DESIGN
There is no universal language or unifying institution for designers of all disciplines. Raised levels of achievement often lead to raised expectations. In structuration theory, design is both medium and outcome generating a Janus like face, with every ending marking a new beginning.
There are countless philosophies for guiding design as the design values and its accompanying aspects within modern design vary, both between different schools of thought and among practicing designers.[1] Design philosophies are usually for determining design goals. A design goal may range from solving the least significant individual problem of the smallest element to the most holistic influential utopian goals. Design goals are usually for guiding design. However, conflicts over immediate and minor goals may lead to questioning the purpose of design, perhaps to set better long term or ultimate goals.
A day without Money
Man!You what it's like to have a day without money?
It's like going through a day without eating. I guess money really is needed, when you thinking about it, we use money to buy our needs like food, water, clothes, and many more. Without this money could we survive?Well maybe we can, but if you're the kind of person who is lazy and doesn't give a damn for him/her self, then i doubt you'd survive.
Coming from a poor family, I learned how to be hardworking cause living without money really sucks, you know?!Ever tried going somewhere without money and got hungry?!It's really a pain!!There were times that certain event really pissed me of to the extent that i asked someone, whom i have never met, to lend me some money. It was so embarrassing!But God!I was so hungry that time and had no other choice!
If you are in a family, strive hard to earn. Don't just sit there and wait for something to show up. Work hard and be patient.
It's like going through a day without eating. I guess money really is needed, when you thinking about it, we use money to buy our needs like food, water, clothes, and many more. Without this money could we survive?Well maybe we can, but if you're the kind of person who is lazy and doesn't give a damn for him/her self, then i doubt you'd survive.
Coming from a poor family, I learned how to be hardworking cause living without money really sucks, you know?!Ever tried going somewhere without money and got hungry?!It's really a pain!!There were times that certain event really pissed me of to the extent that i asked someone, whom i have never met, to lend me some money. It was so embarrassing!But God!I was so hungry that time and had no other choice!
If you are in a family, strive hard to earn. Don't just sit there and wait for something to show up. Work hard and be patient.
Is Elisabeth Looking for a New 'View'?
"The View's" Elisabeth Hasselbeck is reportedly "really upset" about the recent political discussions (i.e. the upcoming presidential election) that have been taking place on her daytime gab fest. As the lone Republican on the talk panel -- not to mention the youngest -- she just can't seem to win against her loud, liberal counterparts Joy Behar and Whoopi Goldberg.
While tensions are high on set, a "View" staff member told the Chicago Sun-Times that things aren't as bad as they were during the Rosie O'Donnell era. Still, it's bad enough that Barbara Walters has set up a "cooling off" meeting for her ladies.
Rumor has it that Elisabeth may even be leaving "The View" to host her own program on the FOX News Channel, where she can be with her own "kind" ... and not have to face off with Joy and Whoopi on a daily basis! That sort of makes me sad. Although I think Hasselbeck often comes across as being out of touch, uninformed, and immature, I must admit that the outspoken 31-year-old makes for some good television!
Fortunately, Elisabeth got to take a break from all of her work drama over the weekend with her little girl Grace. (Doesn't the 3-year-old look a lot like her daddy, NFL quarterback Tim Hasselbeck?) The mother-daughter duo attended a special screening of "Sleeping Beauty" in NYC, celebrating the Disney flick's 50th anniversary. Maybe she's not so bad after all.
While tensions are high on set, a "View" staff member told the Chicago Sun-Times that things aren't as bad as they were during the Rosie O'Donnell era. Still, it's bad enough that Barbara Walters has set up a "cooling off" meeting for her ladies.
Rumor has it that Elisabeth may even be leaving "The View" to host her own program on the FOX News Channel, where she can be with her own "kind" ... and not have to face off with Joy and Whoopi on a daily basis! That sort of makes me sad. Although I think Hasselbeck often comes across as being out of touch, uninformed, and immature, I must admit that the outspoken 31-year-old makes for some good television!
Fortunately, Elisabeth got to take a break from all of her work drama over the weekend with her little girl Grace. (Doesn't the 3-year-old look a lot like her daddy, NFL quarterback Tim Hasselbeck?) The mother-daughter duo attended a special screening of "Sleeping Beauty" in NYC, celebrating the Disney flick's 50th anniversary. Maybe she's not so bad after all.
Skull
I made this Siggy cause i had nothing to do. I got this idea to make a design about a skull being burnt. This image consists of mainly a skull then i added some c4d's to make the background, took me a lot of time just to finish this so i hope you like the image.
Sunday, September 28, 2008
Art
Art refers to a diverse range of human activities, creations, and expressions that are appealing to the senses or emotions of a human individual. The word "art" may be used to cover all or any of the arts, including music, literature and other forms. It is most often used to refer specifically to the visual arts, including media such as painting, sculpture, and printmaking. However it can also be applied to forms of art that stimulate the other senses, such as music, an auditory art. Aesthetics is the branch of philosophy which considers art.
Traditionally the term art was used to refer to any skill or mastery, a concept which altered during the Romantic period, when art came to be seen as "a special faculty of the human mind to be classified with religion and science".[1] Generally art is a (product of) human activity, made with the intention of stimulating the human senses as well as the human mind; by transmitting emotions and/or ideas. Beyond this description, there is no general agreed-upon definition of art. Art is also able to illustrate abstract thought and its expressions can elicit previously hidden emotions in its audience.
The evaluation of art has become especially problematic since the 20th century. Richard Wollheim distinguishes three approaches: the Realist, whereby aesthetic quality is an absolute value independent of any human view; the Objectivist, whereby it is also an absolute value, but is dependent on general human experience; and the Relativist position, whereby it is not an absolute value, but depends on, and varies with, the human experience of different humans.[2] An object may be characterized by the intentions, or lack thereof, of its creator, regardless of its apparent purpose. A cup, which ostensibly can be used as a container, may be considered art if intended solely as an ornament, while a painting may be deemed craft if mass-produced.
Visual art is defined as the arrangement of colors, forms, or other elements "in a manner that affects the sense of beauty, specifically the production of the beautiful in a graphic or plastic medium".[3] The nature of art has been described by Wollheim as "one of the most elusive of the traditional problems of human culture".[4] It has been defined as a vehicle for the expression or communication of emotions and ideas, a means for exploring and appreciating formal elements for their own sake, and as mimesis or representation.[5] Leo Tolstoy identified art as a use of indirect means to communicate from one person to another.[5] Benedetto Croce and R.G. Collingwood advanced the idealist view that art expresses emotions, and that the work of art therefore essentially exists in the mind of the creator.[6][7] Art as form has its roots in the philosophy of Immanuel Kant, and was developed in the early twentieth century by Roger Fry and Clive Bell.[5] Art as mimesis or representation has deep roots in the philosophy of Aristotle.[5]
Traditionally the term art was used to refer to any skill or mastery, a concept which altered during the Romantic period, when art came to be seen as "a special faculty of the human mind to be classified with religion and science".[1] Generally art is a (product of) human activity, made with the intention of stimulating the human senses as well as the human mind; by transmitting emotions and/or ideas. Beyond this description, there is no general agreed-upon definition of art. Art is also able to illustrate abstract thought and its expressions can elicit previously hidden emotions in its audience.
The evaluation of art has become especially problematic since the 20th century. Richard Wollheim distinguishes three approaches: the Realist, whereby aesthetic quality is an absolute value independent of any human view; the Objectivist, whereby it is also an absolute value, but is dependent on general human experience; and the Relativist position, whereby it is not an absolute value, but depends on, and varies with, the human experience of different humans.[2] An object may be characterized by the intentions, or lack thereof, of its creator, regardless of its apparent purpose. A cup, which ostensibly can be used as a container, may be considered art if intended solely as an ornament, while a painting may be deemed craft if mass-produced.
Visual art is defined as the arrangement of colors, forms, or other elements "in a manner that affects the sense of beauty, specifically the production of the beautiful in a graphic or plastic medium".[3] The nature of art has been described by Wollheim as "one of the most elusive of the traditional problems of human culture".[4] It has been defined as a vehicle for the expression or communication of emotions and ideas, a means for exploring and appreciating formal elements for their own sake, and as mimesis or representation.[5] Leo Tolstoy identified art as a use of indirect means to communicate from one person to another.[5] Benedetto Croce and R.G. Collingwood advanced the idealist view that art expresses emotions, and that the work of art therefore essentially exists in the mind of the creator.[6][7] Art as form has its roots in the philosophy of Immanuel Kant, and was developed in the early twentieth century by Roger Fry and Clive Bell.[5] Art as mimesis or representation has deep roots in the philosophy of Aristotle.[5]
Subscribe to:
Posts (Atom)
